Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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HALS, Frans
Jasper Schade sg

ID: 07365

HALS, Frans Jasper Schade sg
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HALS, Frans Jasper Schade sg


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HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).   Related Paintings of HALS, Frans :. | Isabella Coymans sg | Frans Post | Theodorus Schrevelius | Regentesses of the Old Men's Almshouse (detail) sg | Willem Coenraetsz Coymans sf |
Related Artists:
Master of Moulins
French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
Gyorgy Vastagh
painted A karvallott cigany in 1886
Carl Haag
1820 - 1915 German painter, active in Britain. After studying in Nuremberg, he painted miniature portraits in Munich and Brussels. In 1847 he went to London to study English techniques of watercolour painting and evolved a method that he claimed achieved the 'brilliancy of oil painting, combined with the tender-sweetness of water-colours' . From 1850 he exhibited at the Society of Painters in Water-Colours and was elected a full member in 1853.






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